

The surface is arresting, but the harder you think the further you go, and the story keeps on getting more productive. What appears at first, however, to be a thriller is something far more dangerous in Christie's hands. This is intensified by the hermetic and creepy atmosphere of Soldier Island, and the slow unraveling of each of the characters' haunting pasts. The experience of reading this novel is, as a result, sometimes akin to walking through a nightmare, unable to orient one's self, understanding very little beyond the deep-seated sense of being utterly afraid. She plays the reader with the delicacy of an expert angler, scarcely allowing us a moment to dig in our heels and stop where we are, just for a while, just long enough to get a better idea of what’s ahead. Death runs rampant with its bloody scythe on Soldier Island: this is their sentence coming to retrieve them at last.Īgatha Christie, an extraordinarily good writer, digs with bright horrible relish into this exhilarating, unsettling, and brilliantly constructed story. What begins as astonishment quickly turns into horror when, shortly after, the house's occupants embark on the ghastly business of being murdered, one by one, per the instructions of a horrid nursery rhyme. The whimsy of the moment, however, abruptly disappears when a disembodied message blaring from a gramophone tallies, in vivid and mordant detail, the guests' unpunished crimes.

The guests assembled trade stiff dialogue over dinner and cocktails while musing about the celebrity of the island and puzzling about their hosts’ tardiness. In Agatha Christie’s nightmarish tableau of a novel, ten people are summoned as house guests to a remote island by a Mr and Mrs U.N. In short, I liked this book, but it's not exactly an experience I’m keen on revisiting. The questions it asks, the implications it conceals, are soul-curdling and unforgettable. And Then There Were None was uncomfortable as it lodged itself in the darkest corner of my mind. O There is scarcely any comfort to be found in this book only an indelible, arcane horror. ** In Agatha Christie’s nightmarish tableau of a novel, ten people are summoned as house guests to a remote island by a Mr and Mrs U.N. There is scarcely any comfort to be found in this book only an indelible, arcane horror. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.more Before the weekend is out, there will be none. When they realize that murders are occurring as described in the rhyme, terror mounts. One little boy left all alone He went out and hanged himself and then there were none." Two little boys sitting in the sun One got frizzled up and then there was one. Three little boys walking in the zoo A big bear hugged one and then there were two. Four little boys going out to sea A red herring swallowed one and then there were three.

Five little boys going in for law One got in Chancery and then there were four. Six little boys playing with a hive A bumblebee stung one and then there were five.

Seven little boys chopping up sticks One chopped himself in half and then there were six. Eight little boys traveling in Devon One said he'd stay there then there were seven. Nine little boys sat up very late One overslept himself and then there were eight. "Ten little boys went out to dine One choked his little self and then there were nine. A famous nursery rhyme is framed and hung in every room of the mansion: All that the guests have in common is a wicked past they're unwilling to reveal-and a secret that will seal their fate. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. First, there were ten-a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon.
